Crowdsourcing ads – how big a threat is this to ad agencies?

hands upLet’s set aside that this usage of “crowdsourcing” to describe what is essentially a competition is clearly wrong based on the wikipedia definition of the term, and just stick with it for the purposes of discussion…

Brands turning to the concept of crowdsourcing to create their adverts is hardly a new thing (Pringles, Doritos and many others have all been there before) and today’s AdAge story covers UniLever firing the agency behind the cult-status “Peperami, it’s a bit of an animal” advertising since 1993 and turning to startup site Idea Bounty to host their creative contest [note, Idea Bounty don't use the term crowdsourcing on their FAQ page].

The comments on the piece make interesting reading – from one extreme to the other. Some think that clients are playing with fire – what next? “crowdsource your legal issues, perhaps a medical diagnosis, financial advice?” I honestly can’t believe that someone, clearly with a vested interest, would liken an advertising creative professional to a doctor. I understand the desire to protect your trade, nobody wants to be put out of work by amateurs doing your job for fun rather than profit but this refusal to accept crowdsourcing itself as a tactic for even agencies themselves to employ is naive.

Others are more open to the concept, questioning the entrenched: “Are you saying that agencies are the only companies that can find and keep creative thinkers?” says one contributor.

The brief in this case is to produce a print and tv execution for a line extension of the Peperami product, making use of the ‘Animal’ character created by Lowe. Some see this as an affront to Lowe, taking their original concept, questioning whether agencies shouldn’t license their ideas to clients rather than turn them over.

My feeling on the matter is that crowdsourcing can play a part in many companies’ advertising creative strategies – why not let young creatives try their hand. In the case of some products it might even make sense to invite your customers to come up with the ideas. The format of the Peperami brief, written for people who’ve never heard of the product seems wrong to me; the prize money is in US dollars too, whereas the advert will be used in the UK. I’m pretty sure that a couple of teenagers in the UK, the very target market for the ad, could come up with a better idea than most of the people that Idea Bounty will attract.

Let’s not forget that this is simply a tactical play – I don’t expect any brand to use this kind of process to formulate the creative for entire campaigns. It’s also an attention-getting tactic in and of itself, a brand will be talked about for employing this concept, unless everybody’s doing it and I really can’t see that happening any time soon.

What this kind of process won’t do is destroy advertising agencies. Advertising is about more than single execution creative, the adverts still need to be produced, the campaign planned and the media bought. These are the skills that are an intrinsic part of the advertising industry, just as much as the raw creative, it’s just that they’re less glamourous.

Image credit: micn2sugars

  • http://twitter.com/charlesneville/statuses/3989955016 charlesneville (Charles Nevill

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    @charlesneville Thank you very much for this awesome post – [link to post] :D

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    @Scamtypes gee thank YOU very much for that awesome tweet ;)

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    @Scamtypes gee thank YOU very much for that awesome tweet ;)

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    @charlesneville Were you touched that time? :D

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    @charlesneville Were you touched that time? :D

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  • http://www.ideabounty.com/ Daniel

    Hi Charles,

    Thanks for your mentions and comments on the Peperami brief on Idea Bounty.

    Just wanted to clear something up that seems to be a sticking point. At Idea Bounty the briefs we host are only looking for an Idea and not a fully executed or crafted bit of work. Once the best idea has been chosen it will be handed over to a creative production company based in London called SmartWorks – they will take the idea and craft it into a executed campaign.

    Put simply unlike Doritos who crowdsourced a complete TV execution Peperami is looking for just the idea. The reasoning behind this is that crowdsourcing might work for small things like a logo but we dont expect the public to have the professional skill to execute and develop fully blown campaign with print and tv executions. We still need professional creatives for this task – In Unilever's case SmartWorks. The briefs on Idea Bounty look for the Idea, the concept behind a campaign, not a complete product. 

    I might also add that if you think about it there is no way you as an individual working in an agency get paid $10 000 for a single idea – so I cant see why there are creatives complaining. Especially when the legal system behind Idea Bounty registers your submission as your own IP, by accepting the $10 000 Bounty you are selling your IP to the client. Unless this happens the Idea remains yours. 

    Ultimately I see this is just the next stage in the evolution of marketing: it is inherently more sensitive to market-forces, it levels the playing fields as far as creatives are concerned (giving them the opportunity to communicate their ideas to well developed global brands) and it opens brands to a limitless number of new, innovative marketing ideas. And it doesn’t remove the need for traditional agencies, as the ideas generated will still need to be implemented – and on top of that the brands created and developed in the first place. 

    Thanks again for the comments – If anyone would like to contact me to find out more, or get stuck more into the crowdsourcing debate please feel free to mail me – daniel@ideabounty.com

  • http://www.charlesneville.com/ charlesneville

    Hi Daniel, thanks for taking the time to comment here. I think what you're doing with Idea Bounty is very interesting and I'm looking forward to seeing how it develops. I agree there seems to have been an over-reaction, probably from people who didn't take the time to look over the brief and took everything in the AdAge article at face value, interpreting it incorrectly as a brief that required a fully finished piece of work as the submission. This is probably not helped by the quite from Matt Burgess: “We're not looking for ideas scribbled on the back of a Post-it note…”. Yet the brief makes it clear that badly dawn sketches aren't a problem. In any case, I look forward to seeing the final output of the Peperami project.